
Japanese sculptor Yoshitoshi Kanemaki creates wooden figures with multiple faces and distorted features to express the complexity of human emotion and the hidden self beneath a normal surface. His series "Prism" is now displayed at Shibuya Parco in an exhibition designed to welcome casual viewers without barriers, reflecting his goal to make art accessible to the general public.
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Yoshitoshi Kanemaki has created an ongoing sculpture series called "Prism" that features life-size and miniature wooden figures carved from a single block—camphor, cypress, ginkgo, cherry, and other types—then painted in vivid colors. The sculptures depict women and sometimes men with dozens of eyes, cascading faces, and extra fingers, appearing distorted as though from a corrupted digital file. His current exhibition at Shibuya Parco, titled "Emergence Entity," includes "Mirror Prism," a centerpiece based on actress Anna Yamada.
Why it matters
Kanemaki uses the sculptures to express human emotional complexity and the gap between a person's external appearance and hidden self. The figures deliberately evoke discomfort mixed with fascination, inviting viewers to reconsider what they assume about the people around them. The exhibition is deliberately positioned at Shibuya Parco's fourth-floor gallery, which lacks a front door and sits among fashion stores, to make art accessible to casual visitors without prior knowledge of his work.
What to watch
Kanemaki draws inspiration from Buddhist statues, especially depictions of arhats known for their deeply emotional expressions. Most of the women and men he carves come from his own imagination, though "Mirror Prism" is the exception—created after he saw Anna Yamada in a car advertisement and was impressed by her acting ability across different roles.
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